- Communities& Collections
- Browse Items by:
- Issue Date
- Author
- Title
- Subject
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Mauda, Ahlam Jawdat | |
dc.date.accessioned | 2019-05-11T14:18:43Z | |
dc.date.accessioned | 2019-11-29T23:16:06Z | - |
dc.date.available | 2019-05-11T14:18:43Z | |
dc.date.available | 2019-11-29T23:16:06Z | - |
dc.date.issued | 2008 | |
dc.identifier.uri | https://dorar.uqu.edu.sa/uquui/handle/20.500.12248/10327 | - |
dc.format.extent | 155 Paper | |
dc.language.iso | eng | |
dc.subject.other | English literature plays | |
dc.subject.other | Elbarbary, Samir Supervision | |
dc.title | The pairing of desire and loss in Tennessee Williams‘ a streetcar named desire and the Rose Tattoo : A mythic and psychoanalytic interpretation | |
dc.identifier.id | b11696503 | |
dc.identifier.callnum | 6690 | |
dc.type.format | ماجستير | |
dc.relation.univ | Umm Al Qura University | |
dc.publisher.country | المملكة العربية السعودية | |
dc.relation.collage | الاداب والعلوم الإدارية | |
dc.type.status | مجازة | |
dc.rights.hold | yes | |
dc.rights.digital | yes | |
dc.relation.dep | اللغة الإنجليزية | - |
Appears in Collections : | الرسائل العلمية المحدثة |
Files in This Item :
File | Description | Size | Format | |
---|---|---|---|---|
6690.pdf " Restricted Access" | الرسالة الكاملة | 3.57 MB | Adobe PDF | View/OpenRequest a copy |
abca6690.pdf " Restricted Access" | data | 29.74 kB | Adobe PDF | View/OpenRequest a copy |
abse6690.pdf " Restricted Access" | ملخص الرسالة بالإنجليزي | 38.03 kB | Adobe PDF | View/OpenRequest a copy |
cont6690.pdf " Restricted Access" | قائمة المحتويات | 19.04 kB | Adobe PDF | View/OpenRequest a copy |
ind6690.pdf " Restricted Access" | مخطط البحث | 208.81 kB | Adobe PDF | View/OpenRequest a copy |
indu6690.pdf " Restricted Access" | المقدمة | 116 kB | Adobe PDF | View/OpenRequest a copy |
title6690.pdf " Restricted Access" | عنوان الرسالة | 17.4 kB | Adobe PDF | View/OpenRequest a copy |
Items in D-Library are protected by copyright, with all rights reserved, unless otherwise indicated.
Comments (0)